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Gifts from Denmark and China
Kærlighedsfortællingen er altid ny og har til stadighed behov for at blive belyst, fortalt, berettet, skildret. Kærlighedstemaet er liv og energi til poesi og billeder. Som igen nærer og inspirerer mange andre liv. Vores inklusive.Den her foreliggende kunstgenstand skulle gerne være et vidnesbyrd om at vi har brugt kunsten flittigt til at overvinde svære situationer.Det kan aflæses af de tidlige kærestebreve og det interview bogen indeholder. Det ses af de fotos fra “familiealbummet” vi finder har kvaliteter, der rækker ind i det almene. Bogen er sammensat af forskelige slags papir der med det samme taler til vores sanser på en måde sproget ikke formår.Og sprog er der mange af i denne kunstgenstand. Kinesisk, engelsk, dansk. Men også det talte sprog repræsenteret på forskellig vis. Så er der billedsproget – som skitser, gengivelser af malerier, fotos og digitale værker. Der er poesi i alle afskygninger.Alt efter hvor ens talent ligger og hvor langt det rækker kan værket aflæses med lige præcis de begrænsninger vi hver især har. Den foreliggende kunstgenstand bliver på ingen måde oplevet ens. Om dens insisteren på mangfoldighed har kvalitet i det lange løb vil kun fremtiden kunne vise.Æstetik er til stadighed til diskussion og til omsmeltning. Her har I vores fælles bud på hvordan vores kærlighedsmøde forandres og bliver til en levende hverdag.
Zi Fan Mei, poet, writerIn 1989 she participated in organizing poetry salons and founded the folk poetry newspaper “Wind”. In 2007, she began to participate in the planning and editing of Xiamen “Lu poetry group” poetry folk magazine “Lu” published at the end of the year. She is the author of the poetry collections “Absent” (1993), “Poetry collection” (2004), “Soul returning technique” (2011), and “Black magpie” (2016 Edition); She is the author of three editions of a person’s book of “One’s vegetation of songs” (2011, 2014, 2018); She is the author of two collections of essays “Secret bottle is blooming” (2014 Edition), and “Seeing and being seen” (2015). Now living in Xiamen, China and Copenhagen, Denmark.
Lars Ravn, born in 1959. Danish artistHe has been active in the Danish art circle since the 1980s and once served as the chairman of the Danish artists association, Corner. The works are collected and exhibited by the Danish National Gallery, the Aarhus Museum of modern art, the Danish Museum of Vejle, the Danish Museum of Trapholt and the Stockholm Museum of contemporary art. Now living in Denmark and China.
Zi Fan Mei, poet, writerIn 1989 she participated in organizing poetry salons and founded the folk poetry newspaper “Wind”. In 2007, she began to participate in the planning and editing of Xiamen “Lu poetry group” poetry folk magazine “Lu” published at the end of the year. She is the author of the poetry collections “Absent” (1993), “Poetry collection” (2004), “Soul returning technique” (2011), and “Black magpie” (2016 Edition); She is the author of three editions of a person’s book of “One’s vegetation of songs” (2011, 2014, 2018); She is the author of two collections of essays “Secret bottle is blooming” (2014 Edition), and “Seeing and being seen” (2015). Now living in Xiamen, China and Copenhagen, Denmark.
Lars Ravn, born in 1959. Danish artistHe has been active in the Danish art circle since the 1980s and once served as the chairman of the Danish artists association, Corner. The works are collected and exhibited by the Danish National Gallery, the Aarhus Museum of modern art, the Danish Museum of Vejle, the Danish Museum of Trapholt and the Stockholm Museum of contemporary art. Now living in Denmark and China.
- Autor
- Lars Ravn & Zi Fan Mei
- ISBN13
- 9788793928053
- ISBN10
- 879392805X
- Auflage / Jahr
- 1 / 2020
- Verlag
- Narayana Press
- Seitenzahl
- 167
- Bindung
- Hæftet